{"id":2651,"date":"2023-11-28T12:03:00","date_gmt":"2023-11-28T11:03:00","guid":{"rendered":"https:\/\/www.premioborciani.it\/?page_id=2651"},"modified":"2026-03-03T15:12:30","modified_gmt":"2026-03-03T14:12:30","slug":"jury-2","status":"publish","type":"page","link":"https:\/\/www.premioborciani.it\/en\/jury-2\/","title":{"rendered":"Jury"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-text-align-center\"><em>Coming soon&#8230;<\/em><\/h2>\n\n\n\n<div style=\"display:none;\">\n\n\n\n<p class=\"has-text-align-center\">The jury of the Borciani prize gathers distinguished members of the music world, specialists in the sector, the majority of foreign citizenship. For the 2024 edition the jury is composed of Sonia Simmenauer, Lorenza Borrani, Kim Kashkashian, Garth Knox, Jonas Krejci, John Myerscough, Abel Tom\u00e1s.<\/p>\n\n\n\r\n<div class=\"wp-block-columns two-cols-ppb bs-limitable bs-limit-height bg-gray boxed left-img\">\r\n  <div class=\"wp-block-column image-column\" style=\"background-image:url(https:\/\/www.premioborciani.it\/wp-content\/uploads\/simmenauer_foto-3_di-Lennard-Ru\u0308hle-1-scaled.jpg)\"><\/div><div class=\"wp-block-column content-column\"><h3 class=\"twocolppb-title\">Sonia Simmenauer<\/h3><p class=\"twocolppb-subtitle\">President<\/p><div class=\"twocolppb-content\"><p>Sonia Simmenauer was born in the USA and grew up in Paris. From 1982 to 2009 she lived in Hamburg, where she founded Impresariat Simmenauer in 1989 with the goal of creating an agency exclusively for string quartets. The Alban Berg Quartet, the Cleveland Quartet, the Guarneri Quartet and the Tokyo String Quartet are among the artists Simmenauer represented through their final days on stage. In 2009, Impresariat Simmenauer moved its offices to Berlin, and today represents a dozen internationally respected string quartets, among them the Arditti Quartet, the Artemis Quartet, the Belcea Quartet, the Quatuor Ebene, the Cuarteto Casals, the Jerusalem Quartet, the Quatuor Modigliani, the Schumann Quartett. While the string quartet remains a large part of her work, Simmenauer signs also responsible for some very fine soloists such as violinists Isabelle Faust and Vadim Gluzman, cellists Jean-Guihen Queyras and Alisa Weilerstein, pianist Piotr Anderszewski, Alexander Melnikov, Elena Bashkirova and more.<br \/>\nSonia Simmenauer wrote a widely received book about the life within a string quartet (Muss es Sein\/ 2008) and has been named Professor at the Musikhochschule in Hamburg (2009) for a new field called: &#8220;Music Transmission&#8221;.<br \/>\nSonia Simmenauer passed the direction of the company in the Summer of 2020 to her son Arnold Simmenauer. Since then, she has shifted her focus on working with young artists at the edge of building their career.<\/p>\n<\/div><div class=\"bs-unlimit-height\"><button><span class=\"bs-unlimit-height__open-label\">Scopri di pi\u00f9<\/span><span class=\"bs-unlimit-height__close-label\">Riduci<\/span><\/button><\/div><\/div><\/div>\r\n\n\n\r\n<div class=\"wp-block-columns two-cols-ppb bs-limitable bs-limit-height bg-gray boxed right-img\">\r\n  <div class=\"wp-block-column content-column\"><h3 class=\"twocolppb-title\">Lorenza Borrani<\/h3><p class=\"twocolppb-subtitle\">Violin<\/p><div class=\"twocolppb-content\"><p>\u201cIn solos she was extraordinary, impetuous and magnetic, yet at the same time delicate and fluid\u201d (Sydney Arts Guide, November 2016)<\/p>\n<p>Lorenza Borrani is known and appreciated by the most prestigious orchestras in the world for her fascinating programmes, as both performer and conductor, and for her inclusive approach to music in general. In addition to her concert activity, she is intensively involved in chamber music in special projects carried out together with her devoted musical partners.<br \/>\nIn the 2022\/2023 season, Lorenza Borrani debuts with the Arctic Philharmonic Orchestra performing her transcription of \u2018String Quartet in G major\u2019 by Schubert and a short piece by Agnes Ida Pettersen entitled Object of Discourse. Later in the season, she performs again with: the Ostrobothnian Chamber Orchestra with a programme featuring \u2018Death and the Maiden\u2019 by Schubert, the Riga Sinfonietta with its programme focusing on Haydn and Maderna, and the Norwegian Chamber Orchestra.<\/p>\n<p>Scheduled debuts for the spring include the Orquesta Sinf\u00f3nica del Principado de Asturias and the BOSbaroque festival at the Orquesta Sinf\u00f3nica de Bilbao. In past seasons she has performed with the Australian Chamber Orchestra, with which she presented the first performance of her own arrangement for orchestra of \u2018Sonata No. 1 for Violin\u2019 by Prokofiev, with the Swedish Chamber Orchestra, the Vasteras Sinfonietta, the Orchestre Philharmonique de Radio France and the Camerata Bern. In 2022 she was \u2018Artist in Residence\u2019 at the Orchestra della Toscana. <\/p>\n<p>At the age of twenty-five, Lorenza Borrani was appointed solo leader of the Chamber Orchestra of Europe. Working alongside Nikolaus Harnoncourt and Lorenzo Coppola generated in her a passion and expertise for philological performance. Encounters with Lorin Maazel and the Symphonica Toscanini, with Claudio Abbado and the Orchestra Mozart (with which she also performed \u2018Violin Concerto No. 7\u2019 by Mozart), influenced her musical ideals and interests. As a soloist, she has collaborated with Trevor Pinnock, Yannik N\u00e9zet-S\u00e9guin and Bernard Haitink.<\/p>\n<p>In the field of chamber music, Lorenza Borrani has performed with renowned artists such as Kristian Bezuidenhout, Andr\u00e1s Schiff, Pierre-Laurent Aimard, Janine Jansen and Daniel Hope; she also frequently collaborates in a duo with Alexander Lonquich. Lorenza Borrani is one of the founders of Spunicunifait, a formation that performs and records string quintet compositions by Mozart. Spunicunifait currently records for the Alpha label and is scheduled to appear at the Mozartwoche in Salzburg and the Wigmore Hall in London. <\/p>\n<p>Lorenza Borrani is also one of the founders of Spira mirabilis, focused on the preparation and interpretation of orchestral and chamber music repertoire from every era, which works without the figure of a conductor or principal instrumentalist. Recent projects of Spira mirabilis have included \u2018Symphony No. 9\u2019 by Beethoven, fragments of \u2018Cos\u00ec fan tutte\u2019 by Mozart and the premiere of \u2018Spiralling\u2019 by Colin Matthew in Aldeburgh. In 2023, Spira mirabilis offers a semi-scenic version of \u2018Le Nozze di Figaro\u2019 by Mozart.<\/p>\n<p>Lorenza Borrani studied with Alina Company, Piero Farulli, Zinaida Gilels and Pavel Vernikov at the Scuola di Musica in Fiesole and specialised at the Kunstuniversit\u00e4t Graz with Boris Kushnir. She teaches violin at the Scuola di Musica in Fiesole and from 2019 she is Visiting Professor at the Royal Academy of Music in London.<\/p>\n<\/div><div class=\"bs-unlimit-height\"><button><span class=\"bs-unlimit-height__open-label\">Scopri di pi\u00f9<\/span><span class=\"bs-unlimit-height__close-label\">Riduci<\/span><\/button><\/div><\/div><div class=\"wp-block-column image-column\" style=\"background-image:url(https:\/\/www.premioborciani.it\/wp-content\/uploads\/Borrani-by-Piera-Mungiguerra-1-1-scaled.jpg)\"><\/div><\/div>\r\n\n\n\r\n<div class=\"wp-block-columns two-cols-ppb bs-limitable bs-limit-height bg-gray boxed left-img\">\r\n  <div class=\"wp-block-column image-column\" style=\"background-image:url(https:\/\/www.premioborciani.it\/wp-content\/uploads\/kim-kashkashian-03-1.jpg)\"><\/div><div class=\"wp-block-column content-column\"><h3 class=\"twocolppb-title\">Kim Kashkashian<\/h3><p class=\"twocolppb-subtitle\">viola<\/p><div class=\"twocolppb-content\"><p>Hailed as &#8220;an artist who combines a probing, restless intellect with enormous beauty of tone; &#8221; Ms. Kashkashians&#8217; work as performing and recording artist and pedagogue has been recognized worldwide. She won the coveted Grammy Award for her recording of Ligeti and Kurtag solo viola works in 2013, and received the George Peabody Medal and Switzerland&#8217;s Golden Bow Award for her contributions to music. In 2016, she was elected a Fellow of the American Academy of Arts and Sciences and in 2020, named an Honorary member of the Royal Academy of Music. As soloist, Kashkashian has appeared with the orchestras of Berlin, London, Vienna, Milan, New York and Cleveland in collaboration with Eschenbach, Mehta, Welser-Moest, Kocsis, Dennis Russel Davies, Blomstedt, and Holliger.<br \/>\nRecital appearances include the great halls of Vienna, Rome, Paris, Berlin, Munich, Tokyo, Athens, London, New York, Boston, Chicago, San Francisco and Philadelphia where she appears with the Trio Tre Voce, and in duo partnerships with pianist Robert Levin and percussionist Robyn Schulkowsky. Ms. Kashkashian has forged creative relationships with composers Kurt\u00e1g, Penderecki, Schnittke, Kancheli, and P\u00e4rt and commissioned compositions from E\u00f6tv\u00f6s, Ueno, Olivero, Larcher, Auerbach, Mansurian, and Hosokawa.<br \/>\nMs. Kashkashian&#8217;s long association with ECM Records has yielded a discography that has garnered an abundance of praise and<br \/>\ninternational awards including a Grammy for her solo recording of works by Ligeti and Kurt\u00e1g, a Cannes Classical Award for the viola concertos of Kurt\u00e1g, Bart\u00f3k, and E\u00f6tv\u00f6s, an Edison Prize for her recording with pianist Robert Levin of the Brahms viola sonatas and the Opus Klassik prize for her recording of the unaccompanied cello suites of T.S. Bach. She coaches chamber music and viola at New England Conservatory of Music and is founder and artistic director of Music for Food, a musician-led hunger relief initiative.<\/p>\n<\/div><div class=\"bs-unlimit-height\"><button><span class=\"bs-unlimit-height__open-label\">Scopri di pi\u00f9<\/span><span class=\"bs-unlimit-height__close-label\">Riduci<\/span><\/button><\/div><\/div><\/div>\r\n\n\n\r\n<div class=\"wp-block-columns two-cols-ppb bs-limitable bs-limit-height bg-gray boxed right-img\">\r\n  <div class=\"wp-block-column content-column\"><h3 class=\"twocolppb-title\">Garth Knox<\/h3><p class=\"twocolppb-subtitle\">viola<\/p><div class=\"twocolppb-content\"><p>Garth Knox was born in Ireland and spent his childhood in Scotland. After studying viola at the RCM, he played with most of the leading groups in London in a mixture of all repertoires, from baroque to contemporary music.<br \/>\nIn 1983 he was invited by Pierre Boulez to become a member of the Ensemble InterContemporain in Paris, involving extensive solo and chamber music playing, touring widely and appearing in international festivals.<br \/>\nIn 1990 Garth Knox joined the Arditti String Quartet, playing in all the major concert halls of the world, working closely with and giving first performances of pieces by most of today&#8217;s leading composers including Ligeti, Kurtag, Berio, Xenakis, Lachenmann, Cage, Feldman and Stockhausen (the famous\u201cHelicopter Quartet\u201d).<br \/>\nGarth Knox now lives in Paris, where he enjoys a full time solo career, giving recitals, concertos and chamber music concerts all over Europe, the USA and Japan. He is also an active composer, and his \u00abViola Spaces\u00bb, the first phase of an on-going series of concert studies for strings (published in 2010 by Schott) combines ground-breaking innovation in string technique with joyous pleasure in the act of music making. The pieces have been adopted and performed by young string players all over the world.<br \/>\nHe is also a pioneer of the viola d\u2019amore, exploring its possibilities in new music, with and without electronics, and is in the process of creating a new repertoire for this instrument.<br \/>\nAfter teaching posts at Musikene in San Sebastian and the RNCM in Manchester, Garth Knox is presently International Professor at the RCM in London. He was recently awarded a Doctorate of Music (honoris causa) by the Royal Conservatoire of Scotland. <\/p>\n<\/div><div class=\"bs-unlimit-height\"><button><span class=\"bs-unlimit-height__open-label\">Scopri di pi\u00f9<\/span><span class=\"bs-unlimit-height__close-label\">Riduci<\/span><\/button><\/div><\/div><div class=\"wp-block-column image-column\" style=\"background-image:url(https:\/\/www.premioborciani.it\/wp-content\/uploads\/gart-knox-3-1-scaled.jpg)\"><\/div><\/div>\r\n\n\n\r\n<div class=\"wp-block-columns two-cols-ppb bs-limitable bs-limit-height bg-gray boxed left-img\">\r\n  <div class=\"wp-block-column image-column\" style=\"background-image:url(https:\/\/www.premioborciani.it\/wp-content\/uploads\/Jona\u0301s\u030c-Krejc\u030ci\u0301-c-Andrej-Grilc-04028-scaled.jpg)\"><\/div><div class=\"wp-block-column content-column\"><h3 class=\"twocolppb-title\">Jonas Krejci<\/h3><p class=\"twocolppb-subtitle\">cello, Pra\u017e\u00e1k Quartet<\/p><div class=\"twocolppb-content\"><p>Jon\u00e1\u0161 Krej\u010d\u00ed was born in 1969 in London and was raised in Prague, where he began cello lessons at the age of six.  While at the Prague Conservatory, he was invited to study under William Pleeth in London. Upon graduating from the Prague Conservatory, he entered the University of Southern California on a full scholarship, studying there for four years with Lynn Harrell.  During his studies, he won an audition to take part in the New York String Orchestra under the baton of Alexander Schneider.  After finishing his studies in California he moved to Vienna, where he spent a year playing in the Vienna Philharmonic Orchestra as well as performing in chamber ensembles. Mr. Krej\u010d\u00ed studied chamber music with Milan \u0160kampa of the Smetana Quartet and Walter Levin of the LaSalle Quartet. <\/p>\n<p>Moving on to pursue a full time chamber music career, Mr. Krej\u010d\u00ed was a member of the \u0160kampa Quartet, Petersen Quartet and Schulhoff Quartet. Currently he is the cellist of the Pra\u017e\u00e1k Quartet. He performs regularly throughout Europe, North and South America, Japan and Australia. He has appeared in such venues as the Concertgebouw in Amsterdam, the Musikverein and Konzerthaus in Vienna, the Theatre du Chatelet in Paris, the Tonhalle Zurich, the Philharmonie Berlin, Suntory Hall in Tokyo and Carnegie Hall in New York.  With the \u0160kampa Quartet, he was the first Artist in Residence of London&#8217;s Wigmore Hall, performing there dozens of times over the course of the residency.  He has collaborated with such artists as Fran\u00e7ois Dumont, Josef Suk, Lars Vogt, Nikolai Demidenko, Melvyn Tan, Wolfgang Holzmair, Boris Pergamenschikov, Juliane Banse and Wolfram Rieger. He is also Principal Cellist of the Vienna Chamber Orchestra and cellist of the Korngold Ensemble.<\/p>\n<p>Mr. Krej\u010d\u00ed has given masterclasses at such institutions as the Royal Academy of Music in London and the Winterthur Conservatory in Switzerland. Mr. Krej\u010d\u00ed has been invited numerous times by the Hyogo Performing Arts Center in Japan as a visiting artist to perform with, coach and mentor its members. He was selected to coach the prizewinning quartet of the Princess Christina Competition in the Netherlands, and was a member of the string quartet jury at the ARD Competition in Munich. Mr. Krej\u010d\u00ed also teaches cello and chamber music at the International Music Master Classes in Slavonice, Czech Republic.<br \/>\nHe has recorded extensively for the Praga Digitals\/Aparte Music, Supraphon, Capriccio and VMS labels. He has also made numerous broadcast recordings for the BBC, Radio France, Minnesota Public Radio, ORF in Austria, and \u010cesk\u00fd Rozhlas in Prague among others.<br \/>\nMr. Krej\u010d\u00ed plays a Paolo Testore cello from 1761 (Milano).<\/p>\n<\/div><div class=\"bs-unlimit-height\"><button><span class=\"bs-unlimit-height__open-label\">Scopri di pi\u00f9<\/span><span class=\"bs-unlimit-height__close-label\">Riduci<\/span><\/button><\/div><\/div><\/div>\r\n\n\n\r\n<div class=\"wp-block-columns two-cols-ppb bs-limitable bs-limit-height bg-gray boxed right-img\">\r\n  <div class=\"wp-block-column content-column\"><h3 class=\"twocolppb-title\">John Myerscough<\/h3><p class=\"twocolppb-subtitle\">cello, Doric String Quartet<\/p><div class=\"twocolppb-content\"><p>John Myerscough leads a busy international career as the cellist of the Doric String Quartet. Regular visitors to Wigmore Hall, since 2010 the Quartet has recorded exclusively for Chandos Records, with recent releases including the complete Britten quartets, works by Mendelssohn, Schubert and Brett Dean, as well as its continuing series of Haydn string quartets. They have also recently embarked on a project to record the complete Beethoven Quartets. The Quartet performs at major concert halls throughout Europe including Het Concertgebouw Amsterdam, Konzerthaus and Musikverein Vienna, Konzerthaus Berlin, Elbphilharmonie Hamburg and Auditorium du Louvre, Paris. It tours annually to the USA performing in the most important halls and cities, including Carnegie Hall, New York City, Kimmel Center, Philadelphia, Library of Congress, Washington D. C., and has recently undertaken tours to Australia and Japan. The Quartet also has a busy festival schedule and has performed at the Aldeburgh, Delft, Edinburgh, Lofoten, Mecklenburg-Vorpommern, Ris\u00f8r, Schwarzenberg Schubertiade and West Cork festivals. <\/p>\n<p>Alongside his work with the Doric, John performs widely as a solo cellist and chamber musician. Since 2018 he has been a faculty member at the Yellow Barn festival in Vermont, USA. In chamber music settings he has collaborated with Nicolas Altstaedt, Alasdair Beatson, Jonathan Biss, Pavel Kolesnikov, Vilde Frang, Elizabeth Leonskaja, Anthony Marwood and Lawrence Power, amongst others. He is also active as a baroque cellist and has appeared with groups including Arcangelo, La Nuova Musica and La Serenissima. Away from the concert stage John is a dedicated teacher and mentor. He is Professor of Cello and Chamber Music at the Royal Academy of Music, London, where the Quartet holds the position of \u2018Teaching Quartet in Association\u2019. He also gives masterclasses for the London-based ChamberStudio and the ProQuartet Professional Training Programme for String Quartets in France.<br \/>\nJohn performs on a 1587 Brothers Amati cello.  <\/p>\n<\/div><div class=\"bs-unlimit-height\"><button><span class=\"bs-unlimit-height__open-label\">Scopri di pi\u00f9<\/span><span class=\"bs-unlimit-height__close-label\">Riduci<\/span><\/button><\/div><\/div><div class=\"wp-block-column image-column\" style=\"background-image:url(https:\/\/www.premioborciani.it\/wp-content\/uploads\/John-Myerscough-scaled.jpg)\"><\/div><\/div>\r\n\n\n\r\n<div class=\"wp-block-columns two-cols-ppb bs-limitable bs-limit-height bg-gray boxed left-img\">\r\n  <div class=\"wp-block-column image-column\" style=\"background-image:url(https:\/\/www.premioborciani.it\/wp-content\/uploads\/xgvS_casals_quartet_photo_josep_molina__6-1.jpg)\"><\/div><div class=\"wp-block-column content-column\"><h3 class=\"twocolppb-title\">Abel Tom\u00e1s<\/h3><p class=\"twocolppb-subtitle\">violin, Cuarteto Casals<\/p><div class=\"twocolppb-content\"><p>Born in Barcelona in 1980, ABEL TOM\u00c0S began his musical studies with his father and the violin with his uncle. Later he was a student of Zakhar Bron and Serguei Fatkouline at the Escuela Superior de M\u00fasica Reina Sof\u00eda and of Viktor Tretjakov at the Hochschule f\u00fcr Musik in Cologne.<\/p>\n<p>Abel has been awarded prizes at various national and international competitions in Spain and Argentina. As soloist he has appeared with various orchestras including Orquesta Sinf\u00f3nica de Barcelona and Orquesta Sinf\u00f3nica de Tenerife and with distinguished conductors such as James Judd, Junichi Hirokami, Victor Pablo Perez and Zubin Mehta. He has given numerous violin recitals, collaborating with pianists like Juan Carlos Garvayo, Orli Shaham, Eldar Nebolsin, and Hyo-Sun Lim. As a chamber musician, he has also appeared with Gerard Causs\u00e9, Marta Gulyas, Seguro Ito and Kennedy Moretti.<\/p>\n<p>At sixteen years of age, he Abel was a founding member of the internationally recognized Cuarteto Casals, a chamber music ensemble which maintains a full calendar of artistic activity, appearing in the most renowned halls in Europe, Latin America, the United States and Japan. Since 2004 the quartet has recorded exclusively for Harmonia Mundi for whom they have recorded numerous works. The quartet has been awarded the Spanish National Music Prize and the Prize of the City of Barcelona.<\/p>\n<p>Together with his brother Arnau Tom\u00e0s Realp and pianist Hyo-Sun Lim, Abel is a founding member of the Ludwig Trio, with whom he has recorded music of Beethoven, whose Triple Concerto the trio will soon record with the Orquesta Sinf\u00f3nica de Galicia.<\/p>\n<p>Aside from concertizing, Abel teaches violin and chamber music at the Escuela Superior de M\u00fasica de Catalunya, and additionally gives masterclasses in both Europe and the United States.<\/p>\n<\/div><div class=\"bs-unlimit-height\"><button><span class=\"bs-unlimit-height__open-label\">Scopri di pi\u00f9<\/span><span class=\"bs-unlimit-height__close-label\">Riduci<\/span><\/button><\/div><\/div><\/div>\r\n\n\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Coming soon&#8230; The jury of the Borciani prize gathers distinguished members of the music world, specialists in the sector, the majority of foreign citizenship. For the 2024 edition the jury is composed of Sonia Simmenauer, Lorenza Borrani, Kim Kashkashian, Garth Knox, Jonas Krejci, John Myerscough, Abel Tom\u00e1s.<\/p>\n","protected":false},"author":4,"featured_media":2610,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jury - Premio Borciani<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.premioborciani.it\/en\/jury-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jury - Premio Borciani\" \/>\n<meta property=\"og:description\" content=\"Coming soon&#8230; The jury of the Borciani prize gathers distinguished members of the music world, specialists in the sector, the majority of foreign citizenship. For the 2024 edition the jury is composed of Sonia Simmenauer, Lorenza Borrani, Kim Kashkashian, Garth Knox, Jonas Krejci, John Myerscough, Abel Tom\u00e1s.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.premioborciani.it\/en\/jury-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Premio Borciani\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/iteatri\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-03T14:12:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.premioborciani.it\/wp-content\/uploads\/Bando-inglese-newsletter-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.premioborciani.it\/en\/jury-2\/\",\"url\":\"https:\/\/www.premioborciani.it\/en\/jury-2\/\",\"name\":\"Jury - Premio Borciani\",\"isPartOf\":{\"@id\":\"https:\/\/www.premioborciani.it\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.premioborciani.it\/en\/jury-2\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.premioborciani.it\/en\/jury-2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.premioborciani.it\/wp-content\/uploads\/Bando-inglese-newsletter-scaled.jpg\",\"datePublished\":\"2023-11-28T11:03:00+00:00\",\"dateModified\":\"2026-03-03T14:12:30+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.premioborciani.it\/en\/jury-2\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.premioborciani.it\/en\/jury-2\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.premioborciani.it\/en\/jury-2\/#primaryimage\",\"url\":\"https:\/\/www.premioborciani.it\/wp-content\/uploads\/Bando-inglese-newsletter-scaled.jpg\",\"contentUrl\":\"https:\/\/www.premioborciani.it\/wp-content\/uploads\/Bando-inglese-newsletter-scaled.jpg\",\"width\":2560,\"height\":1440},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.premioborciani.it\/en\/jury-2\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.premioborciani.it\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Jury\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.premioborciani.it\/#website\",\"url\":\"https:\/\/www.premioborciani.it\/\",\"name\":\"Premio Borciani\",\"description\":\"Sito del Premio Borciani\",\"publisher\":{\"@id\":\"https:\/\/www.premioborciani.it\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.premioborciani.it\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.premioborciani.it\/#organization\",\"name\":\"Premio Borciani - Concorso Internazionale\",\"url\":\"https:\/\/www.premioborciani.it\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.premioborciani.it\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.premioborciani.it\/wp-content\/uploads\/logo-premio-borciani.svg\",\"contentUrl\":\"https:\/\/www.premioborciani.it\/wp-content\/uploads\/logo-premio-borciani.svg\",\"width\":59,\"height\":134,\"caption\":\"Premio Borciani - Concorso Internazionale\"},\"image\":{\"@id\":\"https:\/\/www.premioborciani.it\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/iteatri\",\"https:\/\/www.instagram.com\/iteatri_reggioemilia\/\",\"https:\/\/www.youtube.com\/channel\/UCbPA7Pip_KvV6qwnTZePiaw\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Jury - Premio Borciani","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.premioborciani.it\/en\/jury-2\/","og_locale":"en_US","og_type":"article","og_title":"Jury - Premio Borciani","og_description":"Coming soon&#8230; The jury of the Borciani prize gathers distinguished members of the music world, specialists in the sector, the majority of foreign citizenship. For the 2024 edition the jury is composed of Sonia Simmenauer, Lorenza Borrani, Kim Kashkashian, Garth Knox, Jonas Krejci, John Myerscough, Abel Tom\u00e1s.","og_url":"https:\/\/www.premioborciani.it\/en\/jury-2\/","og_site_name":"Premio Borciani","article_publisher":"https:\/\/www.facebook.com\/iteatri","article_modified_time":"2026-03-03T14:12:30+00:00","og_image":[{"width":2560,"height":1440,"url":"https:\/\/www.premioborciani.it\/wp-content\/uploads\/Bando-inglese-newsletter-scaled.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.premioborciani.it\/en\/jury-2\/","url":"https:\/\/www.premioborciani.it\/en\/jury-2\/","name":"Jury - Premio Borciani","isPartOf":{"@id":"https:\/\/www.premioborciani.it\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.premioborciani.it\/en\/jury-2\/#primaryimage"},"image":{"@id":"https:\/\/www.premioborciani.it\/en\/jury-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.premioborciani.it\/wp-content\/uploads\/Bando-inglese-newsletter-scaled.jpg","datePublished":"2023-11-28T11:03:00+00:00","dateModified":"2026-03-03T14:12:30+00:00","breadcrumb":{"@id":"https:\/\/www.premioborciani.it\/en\/jury-2\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.premioborciani.it\/en\/jury-2\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.premioborciani.it\/en\/jury-2\/#primaryimage","url":"https:\/\/www.premioborciani.it\/wp-content\/uploads\/Bando-inglese-newsletter-scaled.jpg","contentUrl":"https:\/\/www.premioborciani.it\/wp-content\/uploads\/Bando-inglese-newsletter-scaled.jpg","width":2560,"height":1440},{"@type":"BreadcrumbList","@id":"https:\/\/www.premioborciani.it\/en\/jury-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.premioborciani.it\/en\/"},{"@type":"ListItem","position":2,"name":"Jury"}]},{"@type":"WebSite","@id":"https:\/\/www.premioborciani.it\/#website","url":"https:\/\/www.premioborciani.it\/","name":"Premio Borciani","description":"Sito del Premio Borciani","publisher":{"@id":"https:\/\/www.premioborciani.it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.premioborciani.it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.premioborciani.it\/#organization","name":"Premio Borciani - Concorso Internazionale","url":"https:\/\/www.premioborciani.it\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.premioborciani.it\/#\/schema\/logo\/image\/","url":"https:\/\/www.premioborciani.it\/wp-content\/uploads\/logo-premio-borciani.svg","contentUrl":"https:\/\/www.premioborciani.it\/wp-content\/uploads\/logo-premio-borciani.svg","width":59,"height":134,"caption":"Premio Borciani - Concorso Internazionale"},"image":{"@id":"https:\/\/www.premioborciani.it\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/iteatri","https:\/\/www.instagram.com\/iteatri_reggioemilia\/","https:\/\/www.youtube.com\/channel\/UCbPA7Pip_KvV6qwnTZePiaw"]}]}},"featured_image_src":"https:\/\/www.premioborciani.it\/wp-content\/uploads\/Bando-inglese-newsletter-600x400.jpg","featured_image_src_square":"https:\/\/www.premioborciani.it\/wp-content\/uploads\/Bando-inglese-newsletter-600x600.jpg","_links":{"self":[{"href":"https:\/\/www.premioborciani.it\/en\/wp-json\/wp\/v2\/pages\/2651"}],"collection":[{"href":"https:\/\/www.premioborciani.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.premioborciani.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.premioborciani.it\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.premioborciani.it\/en\/wp-json\/wp\/v2\/comments?post=2651"}],"version-history":[{"count":11,"href":"https:\/\/www.premioborciani.it\/en\/wp-json\/wp\/v2\/pages\/2651\/revisions"}],"predecessor-version":[{"id":4099,"href":"https:\/\/www.premioborciani.it\/en\/wp-json\/wp\/v2\/pages\/2651\/revisions\/4099"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.premioborciani.it\/en\/wp-json\/wp\/v2\/media\/2610"}],"wp:attachment":[{"href":"https:\/\/www.premioborciani.it\/en\/wp-json\/wp\/v2\/media?parent=2651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}